the uneducated eye. i have my ideas about the uneducated eye. it sees a painting of a mountain and understands that its one persons version of what a mountain looks like and is able to suspend disbelief like people do with movies and then all these little things about the drawing that dont contribute lets say to the likeness become this sort of friction, this captivating, stimulating friction, like some dissonance. but, if this viewer has a really educated eye, he sees the drawing  and all the parts of it that are not likeness function as plot holes. they don't make the drawing interesting, they make it just a drawing. some shmuts on a piece of paper. the uneducated eye enjoys the drawing like a child enjoys movies where he doesnt think about it as a story made with moving pictures. he might intellectualy grasp that the movie is fake, but sensually he experiences it as though it were real.